After a heated run in previous cycles, 2025 saw a massive decline in funding for GameFi projects, forcing many studios to close down as incentives dried up. GameFiAfter a heated run in previous cycles, 2025 saw a massive decline in funding for GameFi projects, forcing many studios to close down as incentives dried up. GameFi

GameFi funding sinks 55% in 2025 as Web 2.5 games gain ground — can GALA, AXS, ENJ bounce back?

3 min read

After a heated run in previous cycles, 2025 saw a massive decline in funding for GameFi projects, forcing many studios to close down as incentives dried up.

Summary
  • GameFi funding fell 55% YoY in 2025 as weak token models and poor retention wiped out studios
  • Gaming tokens underperformed crypto broadly, with many down 80%+ from recent highs
  • Web2.5 games using blockchain quietly, often without tokens, are gaining traction

GameFi’s funding collapse in 2025 exposed broken token models, while a quieter shift toward revenue-first Web2.5 gaming began to take shape.

As per Delphi Digital’s latest report, venture funding fell more than 55% year over year, mirroring the wider crypto slowdown but hitting gaming harder than most sectors.

GameFi’s funding crash exposes structural cracks

After pulling in over $147 million in Q1, funding slid to $73 million in Q2, briefly rebounded to $129 million in Q3, then dried up almost entirely by year-end. The fallout was severe. Dozens of studios ran out of runway as token prices collapsed and treasuries emptied.

CoinGecko data shows the gaming sector’s total market cap near $6.1 billion, with many tokens down 70%–95% from all-time highs. GALA is has fallen 82% year-over-year, Axie Infinity is down 86%, and Enjin has declined 87%.

Poor retention worsened the damage. Many titles saw 60% player drop-off within 30 days, while inflationary play-to-earn models rewarded bots and extractive behavior rather than real players. 

In Q2 alone, more than 300 gaming dApps shut down, and DappRadar, an analytics platform, declared it would close after seven years. 

Web2.5 games gain ground as tokens lose relevance

The situation isn’t totally dire. While speculative GameFi faded, Web2.5 games quietly gained popularity. These studios use blockchain as infrastructure rather than a selling point, completely foregoing tokens in favor of revenue. 

Teams like Fumb Games, Mythical Games, and Wemade/Wemix continue generating meaningful income by using blockchain to improve margins, increase engagement, or add new payment rails. Stablecoin adoption is accelerating this shift, making nano-transactions, global payments, and reward systems easier to deploy without forcing speculation onto players.

Even traditional brands are experimenting carefully. FIFA abandoned Algorand (ALGO) and introduced FIFA Rivals, a mobile and blockchain game powered by Avalanche (AVAX), bringing partners like Adidas to the ecosystem. 

Although Web3-native games still make six- to seven-figure profits, their user bases are modest and driven by incentives. As rewards subside, their ecosystems often register waning engagement.

Industry voices now describe 2025 as a necessary reset after the 2021–2022 hype cycle, when billions flowed in with little lasting value. Whether tokens like GALA, AXS, and ENJ recover may depend less on speculation, and more on whether gaming finally delivers products people want to play.

Market Opportunity
Griffin AI Logo
Griffin AI Price(GAIN)
$0.002719
$0.002719$0.002719
-0.03%
USD
Griffin AI (GAIN) Live Price Chart
Disclaimer: The articles reposted on this site are sourced from public platforms and are provided for informational purposes only. They do not necessarily reflect the views of MEXC. All rights remain with the original authors. If you believe any content infringes on third-party rights, please contact [email protected] for removal. MEXC makes no guarantees regarding the accuracy, completeness, or timeliness of the content and is not responsible for any actions taken based on the information provided. The content does not constitute financial, legal, or other professional advice, nor should it be considered a recommendation or endorsement by MEXC.

You May Also Like

XERO Price Crash: Shares Sink 16% to Three-Year Low

XERO Price Crash: Shares Sink 16% to Three-Year Low

Xero Ltd shares trade near $80.82 as of writing, down almost 16% on the session and hovering near their lowest levels since early 2023. Early trading briefly pushed
Share
Coinstats2026/02/04 16:55
YwinCap View On Whether The Gold Market Is In A Bubble

YwinCap View On Whether The Gold Market Is In A Bubble

Singapore (PinionNewswire) — In early 2026, a central question for investors and traders alike is whether the dramatic rise in gold prices represents a speculative
Share
Blocktelegraph2026/02/04 17:12
Foreigner’s Lou Gramm Revisits The Band’s Classic ‘4’ Album, Now Reissued

Foreigner’s Lou Gramm Revisits The Band’s Classic ‘4’ Album, Now Reissued

The post Foreigner’s Lou Gramm Revisits The Band’s Classic ‘4’ Album, Now Reissued appeared on BitcoinEthereumNews.com. American-based rock band Foreigner performs onstage at the Rosemont Horizon, Rosemont, Illinois, November 8, 1981. Pictured are, from left, Mick Jones, on guitar, and vocalist Lou Gramm. (Photo by Paul Natkin/Getty Images) Getty Images Singer Lou Gramm has a vivid memory of recording the ballad “Waiting for a Girl Like You” at New York City’s Electric Lady Studio for his band Foreigner more than 40 years ago. Gramm was adding his vocals for the track in the control room on the other side of the glass when he noticed a beautiful woman walking through the door. “She sits on the sofa in front of the board,” he says. “She looked at me while I was singing. And every now and then, she had a little smile on her face. I’m not sure what that was, but it was driving me crazy. “And at the end of the song, when I’m singing the ad-libs and stuff like that, she gets up,” he continues. “She gives me a little smile and walks out of the room. And when the song ended, I would look up every now and then to see where Mick [Jones] and Mutt [Lange] were, and they were pushing buttons and turning knobs. They were not aware that she was even in the room. So when the song ended, I said, ‘Guys, who was that woman who walked in? She was beautiful.’ And they looked at each other, and they went, ‘What are you talking about? We didn’t see anything.’ But you know what? I think they put her up to it. Doesn’t that sound more like them?” “Waiting for a Girl Like You” became a massive hit in 1981 for Foreigner off their album 4, which peaked at number one on the Billboard chart for 10 weeks and…
Share
BitcoinEthereumNews2025/09/18 01:26