The post ‘KPop Demon Hunters’ Slays At CAA Awards, Marvel Studios Also Scores Big appeared on BitcoinEthereumNews.com. The Netflix animated blockbuster KPop Demon Hunters scored big at the Concept Art Association Awards, October 25, 2025. Courtesy of Netflix KPop Demon Hunters, the blockbuster animated feature that dominated Netflix rankings, proved to be as big a hit with fellow professionals as it was with fans worldwide. The animators, character designers and production artists responsible for the film’s visual appeal racked up a shelf of trophies at the Concept Art Association awards handed out on Saturday at the LightBox Expo in Pasadena, California. The CAA awards honor excellent artistic work in live action, animation and videogames, putting the spotlight on creators behind the scenes who design the characters and settings, props, vehicles, creatures and story beats. They do not get as much public recognition as other entertainment awards, but they crown the achievements of some of the most talented and hard-working people in the industry. Presenters on stage at the Creative Arts Association Awards 2025, presented at LightBox Expo, Pasadena, CA, October 25, 2025. Zack Larez This year K-Pop Demon Hunter garnered some of the top awards for feature film animation. Scott Watanabe won best key concept art for the K-Pop Concert finale scene, Celine Kim took home the trophy for environment concept art, and Nacho Molina won in the best color keys category. Directors Maggie Kang and Chris Appelhans were on hand to receive the LBX Concept Art Luminaries award from the LightBox organizers, to the delight of the crowd. Marvel Studios was another big winner on the night. Fantastic Four: First Steps was recognized for best vehicle design (Benjamin Last’s Fantasticar), best prop (Mark Button’s art-deco baby carrier), and best keyframe art (Thomas de Crest’s dramatic reveal of Galactus). Jana Schirmer won for her keyframe art in Agatha: All Along, and Uzoma Dunkwo got the award for… The post ‘KPop Demon Hunters’ Slays At CAA Awards, Marvel Studios Also Scores Big appeared on BitcoinEthereumNews.com. The Netflix animated blockbuster KPop Demon Hunters scored big at the Concept Art Association Awards, October 25, 2025. Courtesy of Netflix KPop Demon Hunters, the blockbuster animated feature that dominated Netflix rankings, proved to be as big a hit with fellow professionals as it was with fans worldwide. The animators, character designers and production artists responsible for the film’s visual appeal racked up a shelf of trophies at the Concept Art Association awards handed out on Saturday at the LightBox Expo in Pasadena, California. The CAA awards honor excellent artistic work in live action, animation and videogames, putting the spotlight on creators behind the scenes who design the characters and settings, props, vehicles, creatures and story beats. They do not get as much public recognition as other entertainment awards, but they crown the achievements of some of the most talented and hard-working people in the industry. Presenters on stage at the Creative Arts Association Awards 2025, presented at LightBox Expo, Pasadena, CA, October 25, 2025. Zack Larez This year K-Pop Demon Hunter garnered some of the top awards for feature film animation. Scott Watanabe won best key concept art for the K-Pop Concert finale scene, Celine Kim took home the trophy for environment concept art, and Nacho Molina won in the best color keys category. Directors Maggie Kang and Chris Appelhans were on hand to receive the LBX Concept Art Luminaries award from the LightBox organizers, to the delight of the crowd. Marvel Studios was another big winner on the night. Fantastic Four: First Steps was recognized for best vehicle design (Benjamin Last’s Fantasticar), best prop (Mark Button’s art-deco baby carrier), and best keyframe art (Thomas de Crest’s dramatic reveal of Galactus). Jana Schirmer won for her keyframe art in Agatha: All Along, and Uzoma Dunkwo got the award for…

‘KPop Demon Hunters’ Slays At CAA Awards, Marvel Studios Also Scores Big

2025/10/28 03:35

The Netflix animated blockbuster KPop Demon Hunters scored big at the Concept Art Association Awards, October 25, 2025.

Courtesy of Netflix

KPop Demon Hunters, the blockbuster animated feature that dominated Netflix rankings, proved to be as big a hit with fellow professionals as it was with fans worldwide. The animators, character designers and production artists responsible for the film’s visual appeal racked up a shelf of trophies at the Concept Art Association awards handed out on Saturday at the LightBox Expo in Pasadena, California.

The CAA awards honor excellent artistic work in live action, animation and videogames, putting the spotlight on creators behind the scenes who design the characters and settings, props, vehicles, creatures and story beats. They do not get as much public recognition as other entertainment awards, but they crown the achievements of some of the most talented and hard-working people in the industry.

Presenters on stage at the Creative Arts Association Awards 2025, presented at LightBox Expo, Pasadena, CA, October 25, 2025.

Zack Larez

This year K-Pop Demon Hunter garnered some of the top awards for feature film animation. Scott Watanabe won best key concept art for the K-Pop Concert finale scene, Celine Kim took home the trophy for environment concept art, and Nacho Molina won in the best color keys category. Directors Maggie Kang and Chris Appelhans were on hand to receive the LBX Concept Art Luminaries award from the LightBox organizers, to the delight of the crowd.

Marvel Studios was another big winner on the night. Fantastic Four: First Steps was recognized for best vehicle design (Benjamin Last’s Fantasticar), best prop (Mark Button’s art-deco baby carrier), and best keyframe art (Thomas de Crest’s dramatic reveal of Galactus). Jana Schirmer won for her keyframe art in Agatha: All Along, and Uzoma Dunkwo got the award for his distinctive Afro-futurist character designs for the animated series Eyes of Wakanda.

In addition to recognizing the best work of the year, the CAA awards looked to both the past and the future. Makeup maestro Stan Winston and director Tim Burton were both honored with lifetime achievement awards for their decades of innovation. Students Mirel Shalari and Jiun Qui Tan took home awards in categories full of promising work, suggesting the future of entertainment art is in good hands, as long as studios still value the talents of human artists. A complete list of the evening’s winners is listed below.

The CAA Awards ceremony is the keystone event of LightBox Expo, an annual event celebrating commercial visual arts. The awards gala was held in the Pasadena Civic Auditorium in front of an audience of professionals, art students, hobbyists and fans. At a moment when the future of creative work is under threat from technology, economics and industry consolidation, the atmosphere at the awards, and at the entire LightBox Expo, was upbeat and inspiring.

It was clear from the consensus of attendees that we may have machines that can produces images, but only humans can make art.

Winners of the 2025 CAA Awards:

  • Video Games: Environment Concept Art: Hyeon Kim, “Lobby of the Rose Estate”. Lies of P: Overture
  • Key Art for Tabletop: Campbell White, “Silver Dragon,” Dungeons and Dragons
  • Concept Illustration for Tabletop: Allie Irwin – “Arch Hag,” Dungeons and Dragons
  • Video Games: Creature Concept Art: Hamid Shah, “Chimera,” Killing Floor 3
  • Video Games: Character Concept Art: David Aguado Aparicio – “Iris”, Cataclismo
  • Live-Action Storyboard Art: Mario Alberti – “Temple Sequence”, Jurassic World: Rebirth
  • Animation Storyboard Art: – Maxime Delalande, “Kitty and Diane Fight.” The Bad Guys 2
  • Live-Action Feature Film: Environment Concept Art: Oliver Beck, “Munchkin Land,” Wicked
  • Vehicle Concept Art: Benjamin Last, “Fantasticar,” The Fantastic Four: First Steps
  • Prop Concept Art: Mark Button, “Baby Carrier,” The Fantastic Four: First Steps
  • Live-Action Creature Art: Aaron McBride, “Blind Bats,” Rings of Power
  • Live-Action Feature Film Character Concept Art: Darrell Warner, “Elphaba,” Wicked
  • Live-Action Feature Film: Keyframe Art: Thomas du Crest, “Galactus Introduction,” Fantastic Four: First Steps
  • Live-Action Series: Character Art: Tommy Arnold , “Murderbot,” Murderbot
  • Live-Action Series: Environment Art: Chester Carr, “Coruscant Seedy Commercial Strip,” Andor
  • Live-Action Series: Keyframe Art: Jana Schirmer, “Kiss,” Agatha All Along
  • Beacon: Creature Concept Art: Sina Hayati, “Warden of the mount Bärangûn”
  • Beacon: Environment Concept Art: Jonathan del Rosario, “L.O.E”
  • Student: Environment Concept Art: Mirel Shalari, “The Blessed Highlands- New3dge Concept Art School”
  • Student: Character Concept Art: – Jiun Qi Tan, “Nocshire – Lady Monochrome- The One Academy”
  • Beacon: Character Concept Art: Robbie Trevino, “Gravitas”
  • Animation Feature Film: Visual Development Art: Scott Watanabe, “Kpop Climax,” KPop Demon Hunters
  • Animation Feature Film: Environment Concept Art: Celine Kim, “First Concert Stage,” KPop Demon Hunters
  • Animation Series: Character Concept Art: Uzoma Dunkwu, “Noni,” Eyes of Wakanda
  • Animation Series: Environment Art: Aurelien Predal, “Caesar’s Palace,” Asterix & Obelix: The Big Fight
  • Animation Feature Film: Character Concept Art : Julien Le Rolland, “The Billionaire,” The Bad Guys 2
  • Animation Feature Film: Color Keys: Nacho Molina, “How it’s Done,” KPop Demon Hunters
  • Wacom Rising Star: Ant Qui
  • Lifetime Achievement: Tim Burton and Stan Winston
  • LBX Concept Art Luminary: Maggie Kang and Chris Appelhans

Winners of the Creative Arts Association Awards 2025

Zack Larez

Source: https://www.forbes.com/sites/robsalkowitz/2025/10/27/kpop-demon-hunters-slays-at-caa-awards-marvel-studios-also-scores-big/

Disclaimer: The articles reposted on this site are sourced from public platforms and are provided for informational purposes only. They do not necessarily reflect the views of MEXC. All rights remain with the original authors. If you believe any content infringes on third-party rights, please contact [email protected] for removal. MEXC makes no guarantees regarding the accuracy, completeness, or timeliness of the content and is not responsible for any actions taken based on the information provided. The content does not constitute financial, legal, or other professional advice, nor should it be considered a recommendation or endorsement by MEXC.
Share Insights

You May Also Like

While the global market is rising, cryptocurrencies are falling. What exactly is the problem?

While the global market is rising, cryptocurrencies are falling. What exactly is the problem?

Author: Jasper De Maere , OTC Strategist at Wintertermute Compiled by: Tim, PANews The macroeconomic environment remains supportive, with positive events such as interest rate cuts, the end of quantitative tightening, and stock indices nearing high levels occurring one after another. However, the crypto market continues to lag behind as post-Federal Reserve policy meeting liquidity is waning. Global liquidity continues to expand, but funds are not flowing into the crypto market. ETF inflows have stagnated, decentralized AI activity has dried up, and only stablecoins are maintaining growth. Leverage has been cleared, and the market structure appears healthy, but a rebound in ETF or DAT funds would be the key signal for a liquidity recovery and the start of a potential catch-up rally. Macroeconomic Status Quo Last week, the market experienced volatility due to the Federal Reserve's rate cut, the FOMC meeting minutes, and earnings reports from several US technology companies. We saw the expected 25 basis point rate cut, officially concluding quantitative tightening, and the earnings of the "Big Seven" US stocks were generally positive. However, market volatility occurred after Powell downplayed the near certainty of another rate cut in December. The probability of a rate cut, which had been priced in by the market before the meeting (95%), has now fallen to 68%, prompting traders to reassess their strategies and triggering a rapid shift towards risk aversion. This sell-off didn't seem driven by panic, but rather resembled position adjustments. Some investors had over-bet on a rise before the event, creating a classic "sell the news" situation, as the market had already fully priced in the 25 basis point rate cut. The stock market subsequently stabilized quickly, but the cryptocurrency market did not see a synchronized rebound. Since then, BTC and ETH have been trading sideways, hovering around $107,000 and $3,700 respectively as of this writing. Altcoins have also exhibited a volatile pattern, with their excess gains primarily driven by short-term narratives. Compared to other asset classes, cryptocurrencies are the worst-performing asset class. From an index perspective, crypto assets in a broad sense experienced a significant sell-off last week, with the GMCI-30 index falling 12%. Most sectors closed lower. The gaming sector plummeted 21%. Layer 2 network sector plunges 19% The meme coin sector declined by 18%. Mid-cap and small-cap tokens fell by approximately 15%-16%. Only the AI (-3%) and DePIN (-4%) sectors showed relative resilience, mainly due to the strong performance of TAO tokens and AI proxy concept coins in the early part of last week. Overall, this volatility seems more like a money-driven phenomenon, consistent with the tightening liquidity following the Fed's decision, rather than caused by fundamental factors. So why are cryptocurrencies lagging behind while global risk assets are rising? In short: liquidity. But it's not a lack of liquidity, but rather a problem of where it flows. Global liquidity is clearly expanding. Central banks are intervening in relatively strong rather than weak markets, a situation that has only occurred a few times in the past, usually followed by a strong surge in risk appetite. The problem is that this new liquidity is not flowing into the crypto market as it has in the past. Stablecoin supply continues to climb steadily (up 50% year-to-date, adding $100 billion), but Bitcoin ETF inflows have stagnated since the summer, with assets under management hovering around $150 billion. The once-booming crypto treasury DAT has fallen silent, and related concept stocks listed on exchanges like Nasdaq have seen a significant drop in trading volume. Of the three major funding engines driving the market in the first half of this year, only stablecoins are still playing a role. ETF funding has peaked, DAT activity has dried up, and although overall liquidity remains ample, the share flowing into the crypto market has shrunk significantly. In other words, the tap for funds hasn't been turned off; it's just that the funds have flowed elsewhere. The novelty of ETFs has worn off, allocation ratios have become more normalized, and retail investors' funds have flowed elsewhere, turning to chase the trends in stocks, artificial intelligence, and prediction markets. Our Viewpoint The stock market performance proves that the market environment remains strong; liquidity has simply not yet been transmitted to the crypto market. Although the market is still digesting the 10/11 liquidation, the overall structure remains robust—leverage has been cleared, volatility is under control, and the macroeconomic environment is supportive. Bitcoin continues to act as a market anchor thanks to stable ETF inflows and tight exchange supply, while Ethereum and some L1 and L2 tokens have begun to show signs of relative strength. While a growing number of voices on crypto social media are attributing the price weakness to the four-year cycle theory, this concept is no longer truly applicable. In mature markets, the miner supply and halving mechanisms that once drove cycles have long since failed; the core factor truly determining price performance is now liquidity. The macroeconomic environment continues to provide strong support—the interest rate cut cycle has begun, quantitative tightening has ended, and the stock market is frequently hitting new highs—but the crypto market has lagged behind, primarily due to the lack of effective liquidity inflows. Compared to the three major drivers of capital inflows last year and in the first half of this year (ETFs, stablecoins, and DeFi yield assets), only stablecoins are currently showing a healthy trend. Close monitoring of ETF inflows and DAT activity will be key indicators, as these are likely to be the earliest signals of liquidity returning to the crypto market.
Share
PANews2025/11/05 16:50